Playskool Playskool Poppin' Park Eelefun Busy Ball Popper

• Once The Balls Pop Out Of The Elephant's Trunk, It's Anybody's Guess Which Way They'll Roll - Into The Belly For Put-And-Take Play, Across The Room For Baby To Crawl After, Or Back Through The Trunk For More Poppin' Surprises.
• With 10 Fun Tunes To Play And This Elephant's Trunk Controlling The Poppin' Direction, The Play Is Exciting, Engaging And, Most Of All, Fun!
• With 10 fun tunes to play and this elephant's trunk controlling the poppin' direction, the play is exciting, engaging and, most of all, fun! Includes elephant, stability base, ear attachment, 5 balls and instructions.
• Lively air-powered, ball-poppin? elephant features fun, upbeat music and comes complete with five balls!
• Elephant figure plays 10 tunes! Start the action with easy push-button activation. Includes elephant, stability base, ear attachment, 5 balls and instructions.

Get ready for some ! poppin', droppin' fun with the Poppin’ Park Elefun Busy Ball Popper from Playskool! This lively air-powered, ball-poppin’ elephant features fun, upbeat music and comes complete with five balls. As baby grows, you control the level of play with a trunk that turns 360 degrees!

Requires 4 “D” batteries (not included). Adult assembly required. Ages 9 months and up.

Engage your baby in put-and-take play with the lively Playskool Elefun Busy Ball Popper. Designed for children 9 months and older, this elephant will delight young children with its upbeat music and engaging ball-popping action. Easy push-button activation allows your child to choose between 10 songs. The toy's baby-friendly design also encourages young children to reach, grab, and crawl.

Poppin Park
Elefun Busy Ball Popper

• Ages: 9 months and up
• Requires: Adult assembly; 4 D batteries; Phillips screwdriver

At a Glance:

• Air-powered elephant pops balls out of its trunk
• Toy engages children in put-and-take play
• Child can choose between 10 upbe! at tunes
• Includes five colorful, lightweight balls
• Sturdy construction ideal for young children

Control the level of play with turning a trunk 360 degrees. View larger.

Helps develop hand/eye coordination. View larger.

Toy Encourages Coordination and Motor Skills

This toy helps your child practice hand-eye coordination and develops fine motor skills through grabbing balls from the elephant's tummy and dr! opping them in the elephant's ears. It also provides a fun way! for chi ldren to learn cause and effect. When a child drops balls into the toy, the balls pop out in a different place.

Even babies will enjoy grabbing the colorful, lightweight balls from the elephant's tummy and watching them pop up through its trunk.

Lively Music Engages Children

This toy plays a variety of upbeat music for your child to enjoy. A large button on the elephant's hand makes it easy for your little one to switch between songs. One young tester loved the noise, but was startled by the popping balls.

The noise made by the toy--akin to a vacuum cleaner in a video arcade--may become tiresome to adults with extended play. Fortunately, children can engage in put-and-take play even when the toy is in the "off" position, but an adult will need to tip the elephant over to dislodge balls placed in its trunk. Even when the toy was turned on, our tester found that balls occasionally did not pop as they were supposed to and required adult interventio! n.

Sturdy Construction Ideal for Young Children

The sturdy design of the plastic elephant makes this an ideal toy for babies eager to practice sitting, crawling, and pulling up. Your child can sit and watch the elephant as it shoots balls from its trunk or crawl after the colorful balls. The toy is also stable enough that your child can use it to assist in pulling up.

The toy's movable, air-powered trunk can be positioned to pop balls towards one of the ears or across the room. An adult will need to move the trunk into place as it is too difficult for a child to manipulate. During assembly, the stabilizer and ears also required a large amount of force to click into place. That said, the setup was straightforward and quick, taking less than 10 minutes, and required just four D batteries (not included).

What's in the Box

Elefun Busy Ball Popper, five balls, four D batteries, and instructions.

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Change-Up: Mystery at the World Series

• ISBN13: 9780375847592
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Ryan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation or consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Starring! : Ryan Reynolds, Jason Bateman, Leslie Mann, Olivia Wilde, Craig Bierko, Alan Arkin Directed by: David DobkinEvery generation has a reflective body-swap comedy thrust upon it, with results ranging from the genteel Reagan-era George Burns vehicle 18 Again to the slyly empowering, cell phone-savvy remake of Freaky Friday. Fueled by two amazingly game performances from Jason Bateman and Ryan Reynolds, The Change-Up goes for the gross-out, happily wallowing where those previous films dared not tread. Whatever this says about the current state of society, there's no denying that the results are consistently, ridiculously funny. Kicking off with a gag involving a baby that might give even John Waters pause, director David Dobkin (Wedding Crashers) wastes no time getting to the gimmick, via a magical fountain that rearranges the brains of an uptight family-man lawyer (Bateman) and party-animal actor (Reynolds). What follows plays like a greatest-hits me! dley of the genre, shot through with a steadily escalating lev! el of fi lth. (The reveal of Reynolds's girlfriend will not soon be forgotten/expunged.) Adept as the leads are, they also leave room in the spotlight for some killer supporting players, including Alan Arkin, Olivia Wilde, and especially Apatow vet Leslie Mann, who delivers two lengthy monologues that veer from sympathetic to gloriously bent without missing a beat. High art it most definitely ain't, but The Change-Up lands squarely in the borderland between offensive and hilarious, where the best shock comedies reside. You'll laugh until you gag, and vice versa. --Andrew WrightRyan Reynolds and Jason Bateman star in the outrageous comedy from the director of Wedding Crashers and the writers of The Hangover. One drunken night, two friends admit that they wish they had the other's life. Mitch (Reynolds) thinks Dave has it all: a beautiful, loving family and a high-paying job at a prestigious law firm. But Dave (Bateman) thinks Mitch's stress-free life without obligation o! r consequence is the real dream come true. The next morning they wake up, hungover, in each other's bodies, and proceed to freak out! With time not on their side, Mitch and Dave comically struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back. Starring: Ryan Reynolds, Jason Bateman, Leslie Mann, Olivia Wilde, Craig Bierko, Alan Arkin Directed by: David DobkinEvery generation has a reflective body-swap comedy thrust upon it, with results ranging from the genteel Reagan-era George Burns vehicle 18 Again to the slyly empowering, cell phone-savvy remake of Freaky Friday. Fueled by two amazingly game performances from Jason Bateman and Ryan Reynolds, The Change-Up goes for the gross-out, happily wallowing where those previous films dared not tread. Whatever this says about the current state of society, there's no denying that the results are consistently, ridiculously funny. Kicking off with a gag in! volving a baby that might give even John Waters pause, directo! r David Dobkin (Wedding Crashers) wastes no time getting to the gimmick, via a magical fountain that rearranges the brains of an uptight family-man lawyer (Bateman) and party-animal actor (Reynolds). What follows plays like a greatest-hits medley of the genre, shot through with a steadily escalating level of filth. (The reveal of Reynolds's girlfriend will not soon be forgotten/expunged.) Adept as the leads are, they also leave room in the spotlight for some killer supporting players, including Alan Arkin, Olivia Wilde, and especially Apatow vet Leslie Mann, who delivers two lengthy monologues that veer from sympathetic to gloriously bent without missing a beat. High art it most definitely ain't, but The Change-Up lands squarely in the borderland between offensive and hilarious, where the best shock comedies reside. You'll laugh until you gag, and vice versa. --Andrew WrightA behind-the-scenes mystery at the World Series from bestseller John Feinstein.
Bestselling author, journalist, and Edgar Award winner John Feinstein is back with another high-stakes sports mystery. Teen reporters Stevie Thomas and Susan Carol Anderson are covering baseball's World Series, and during the course of an interview with a new hot pitcher, they discover more than a few contradictions in his life story. What's he hiding? An embarrassing secret? A possible crime? Let the investigation begin!

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Shadows of the Last War (Dungeon & Dragons d20 3.5 Fantasy Roleplaying, Eberron Adventure)

• ISBN13: 9780786932764
• Condition: Used - Like New
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Meet Buraki, the vicious, 200-meter long Imoogi serpent from ancient Korea. His army includes giant lizards with missile launchers, flying dragons, soldiers bred for evil and mega-intelligent dinosaurs. Together, they will destroy Los Angeles and possibly the world unless reincarnated warriors Ethan and Sarah can outrun them and resurrect the Good Imoogi, Buraki's ancient nemesis. Dragon Wars reveals every last detail of Earth's greatest battle, a war you'll only believe when you see it for yourself.Stunning computer-generated special effects are the main selling point of Dragon Wars: D-War, a Korean-made fantasy about ancient monsters wreaking havoc in modern Los Angeles. The complex plot, based on le! gend, pits an evil serpent and its demonic army against a young woman (Amanda Brooks) who is the reincarnation of a young woman imbued with the heaven-sent power to transform the creature into an all-powerful dragon. Jason Behr (The Grudge) is the reporter who discovers that he too is a reincarnated warrior bound to prevent Brooks and her power from falling into the wrong hands. The elaborate premise isn't helped by the script, which delivers absurd dialogue and situations with child-like naivete; thankfully, the presence of Robert Forster (as another reincarnated hero) and solid actors like Elizabeth Pena, The Office's Craig Robinson, and Chris Mulkey, help smooth over the frequent moments of unintentional humor. But this won't matter much to fantasy fans and (especially) younger viewers, who will tune in for the film's riot of special effects; director Shim Hyung-rae and his talented team offer scene after scene of exceptional CGI creations, most notably a a! erial dogfight between helicopters and winged lizards in the s! kies abo ve downtown L.A., and a climactic battle which makes good on the title's promise. The DVD includes a making-of featurette which outlines Shim's four-year struggle to complete the project, as well as storyboard galleries and an animatics display. -- Paul Gaita

The first adventure for the brand new Eberron campaign setting.

This full-length adventure for the newest D&D® campaign setting is designed to showcase many of the most unique traits of the Eberron setting. It will play out across the entire face of the Eberron realm and is designed to either be a stand-alone adventure or an immediate follow-up to the short adventure provided in the Eberron Campaign Setting™.

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Something's Gotta Give

• Jack Nicholson is always a Key Feature
• Comedy Movie
• DVD

Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks' hit comedy, As Good as it Gets. Nicholson gives a show-stopping performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan's meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon's dog. And that unexpected act of kindness, along with waitress Carol Connelly, helps put Melvin back in the human race.For all of its conventional plotting about an obsessive-compulsive curmudgeon (Jack Nicholson) who improves his personality at the urging of his gay neighbor (Greg Kinnear) and a waitress (Helen Hunt) who inspires his best behavior, this is one of the sharpest Hollywood comedies of the 1990s. Nicholson could play his role in his sleep (the Oscar he won should have gone to Rober! t Duvall for The Apostle), but his mischievous persona is precisely necessary to give heart to his seemingly heartless character, who is of all things a successful romance novelist. As a single mom with a chronically asthmatic young son, Hunt gives the film its conscience and integrity (along with plenty of wry humor), and she also won an Oscar for her wonderful performance. Greg Kinnear had to settle for an Oscar nomination (while cowriter-director James L. Brooks was inexplicably snubbed by Oscar that year), but his work was also singled out in the film's near-unanimous chorus of critical praise. It's questionable whether a romance between Hunt and the much older Nicholson is entirely believable, but this movie's smart enough--and charmingly funny enough--to make it seem endearingly possible. --Jeff ShannonHarry Sanborn (Jack Nicholson) is a perennial playboy with a libido much younger than his years. During what was to have been a romantic weekend with his ! latest infatuation, Marin (Amanda Peet), at her mother's Hampt! ons beac h house, Harry develops chest pains. He winds up being nursed by Marin's reluctant mother Erica Barry (Diane Keaton), a successful, divorced New York playwright. In the process, Harry develops more heart pangs -- the romantic kind -- for Erica, an age-appropriate woman whom he finds beguiling. However, some habits die hard. When Harry hesitates, his charming thirty something doctor (Keanu Reeves) steps in and starts to pursue Erica. And Harry, who has always had the world on a string, finds his life unraveling.As upscale sitcoms go, Something's Gotta Give has more to offer than most romantic comedies. Obviously working through some semi-autobiographical issues regarding "women of a certain age," writer-director Nancy Meyers brings adequate credibility and above-average intelligence to what is essentially (but not exclusively) a fantasy premise, in which an aging lothario who's always dated younger women (Jack Nicholson, more or less playing himself) falls for a succes! sful middle-aged playwright (Diane Keaton) who's convinced she's past the age of romance, much less sexual re-awakening. As long as old pals Nicholson and Keaton are on screen discussing their dilemma or discovering their mutual desire, Something's Gotta Give is terrific, proving (in case anyone had forgotten) that Hollywood can and should aim for an older demographic. Myers falls short with the sitcom device of a younger lover (Keanu Reeves) who wants Keaton as much as Nicholson does; it's believable but shallow and too easily dismissed. Myers also skimps on supporting roles for Frances McDormand, Amanda Peet, and Jon Favreau, but thankfully this is one romantic comedy that doesn't pander to youth. Mature viewers, rejoice! --Jeff Shannon

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Hitman Hart: Wrestling With Shadows - 10th Anniversary Collector's Edition

• Never before released on DVD - Hitman Hart -Wrestling with Shadows, with bonus DVD, The Life and DEath of Owen Hart
• "...truly a knockout film." - WALL STREET JOURNAL
• ". . . it could be the best documentary I've ever seen." - IAN BROWN, writer/broadcaster
• "...do yourself a favor and tune in." - L.A. Times
• "I sat mesmerized . . . mind-boggling." - The West Australian

BEYOND THE MAT RINGSIDE - DVD MovieAt first, this behind-the-scenes documentary about professional wrestling seems as if it will be an unabashed fan's whitewash of the increasingly bizarre and popular world of "sports entertainment," as it is known. But director Barry Blaustein (a Saturday Night Live veteran who has cowritten many of Eddie Murphy's films) goes much deeper than you'd expect in a film that is at once entertaining and disturbing. By focusing on a trio of wrestlers who give him s! urprising access, Blaustein uncovers human stories that can be wrenching in their stark honesty. That's particularly true of one-time superstar Jake "the Snake" Roberts, whose career has fallen on hard times because of a crack habit; Roberts brings Blaustein along for his first encounter in several years with his grown, estranged daughter. Blaustein also goes into the lives of Terry Funk and Mick "Mankind" Foley in ways that are both revealing and, at times, upsetting. More than just a fan's appreciation, this is that rare documentary that shows you sides of a familiar subject you never knew existed. --Marshall FineBarry Blaustein's critically acclaimed documentary about wrestling takes viewers beyond the ring and into the lives of the men and women who inhabit this colorful, competitive, and surprisingly complex world. During the five years he spent working on the film, Blaustein discovered that the control wrestlers exert in the ring is often contrasted by the lack! of control they have in their own lives. Some pursue dreams--! others a re pursued by personal demons. Always relaying his love and respect for his subject matter, Blaustein travels on the open road with the wrestlers, shares their most intimate moments with their families, and witnesses their victories and defeats in the ring. 108 minutes.At first, this behind-the-scenes documentary about professional wrestling seems as if it will be an unabashed fan's whitewash of the increasingly bizarre and popular world of "sports entertainment," as it is known. But director Barry Blaustein (a Saturday Night Live veteran who has cowritten many of Eddie Murphy's films) goes much deeper than you'd expect in a film that is at once entertaining and disturbing. By focusing on a trio of wrestlers who give him surprising access, Blaustein uncovers human stories that can be wrenching in their stark honesty. That's particularly true of one-time superstar Jake "the Snake" Roberts, whose career has fallen on hard times because of a crack habit; Roberts brings ! Blaustein along for his first encounter in several years with his grown, estranged daughter. Blaustein also goes into the lives of Terry Funk and Mick "Mankind" Foley in ways that are both revealing and, at times, upsetting. More than just a fan's appreciation, this is that rare documentary that shows you sides of a familiar subject you never knew existed. --Marshall FineAt first, this behind-the-scenes documentary about professional wrestling seems as if it will be an unabashed fan's whitewash of the increasingly bizarre and popular world of "sports entertainment," as it is known. But director Barry Blaustein (a Saturday Night Live veteran who has cowritten many of Eddie Murphy's films) goes much deeper than you'd expect in a film that is at once entertaining and disturbing. By focusing on a trio of wrestlers who give him surprising access, Blaustein uncovers human stories that can be wrenching in their stark honesty. That's particularly true of one-time supe! rstar Jake "the Snake" Roberts, whose career has fallen on har! d times because of a crack habit; Roberts brings Blaustein along for his first encounter in several years with his grown, estranged daughter. Blaustein also goes into the lives of Terry Funk and Mick "Mankind" Foley in ways that are both revealing and, at times, upsetting. More than just a fan's appreciation, this is that rare documentary that shows you sides of a familiar subject you never knew existed. --Marshall FineTHE NEW Double DVD set: BRETT THE HITMAN HART
And never before released on DVD,
THE LIFE AND DEATH OF OWEN HART....

Bret Hart, five times' champion of the World Wrestling Federation, sits in a hotel room - one day before the most important fight of his life.

Sure, it's just professional wrestling, but this match is different. It will be Bret's last in the WWF, a company for whom he's been the top guy and loyal champion for years. The owner of the company, the legendary Vince McMahon, want's him out, only months after signing an unprecedented twenty years contract. Now he want's him to lose his final match as well.

It's not just another wrestling show for Bret. This fight will determine how his character 'The Hitman', wrestling's favourite good guy for the last decade, will be remembered.

Sitting in a hotel room, one day before the match. What Bret doesn't know, is that he will be the target of the biggest double cross in the history of professional wrestling.

Over the span of one year, an award winning documentary film crew followed Bret Hart. They hoped for an unprecedented look behind the scenes of the WWF. What they got was the most dramatic story in the history of wrestling.

HITMAN HART is a story about loyalty and betrayal, money and greed, dignity and disgrace. It's about fathers and sons, fans and icons, and keeping one's integrity in a world of moral uncertainty. In a word, it's a film about being human.

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Bobby (Widescreen Edtion)

• (Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gr

(Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gripping the country at the time, including racism, sexual inequality and class differences.In the final quarter o! r so of Bobby, writer-director-actor Emilio Estevez finally starts tightening his grip on the viewer as we head inexorably toward the film's climax: the 1968 assassination of Robert F. Kennedy in a Los Angeles hotel kitchen. In the course of these scenes--among them Kennedy's acceptance speech after winning the California Democratic presidential primary (the senator is seen only in file footage), his death at the hands of gunman Sirhan Sirhan, and the chaos and despair that ensued--Estevez steadily ratchets up the sense of tension and dread. Knowing exactly what's coming, while the characters onscreen don't, is excruciating, as is our grief at hearing RFK's own words, so eloquent, so hopeful and inspiring, as we watch the horrible events unfold and wonder what might have been (sure it's manipulative--but it works). But the rest of Bobby isn't nearly as compelling. Nor is it really about Kennedy, despite its obvious adulation of the man whom many thought would ! defeat Richard Nixon in the '68 general election. In the tradi! tion of, say, an Irwin Allen disaster flick, we're invited into the lives of nearly two dozen folks, most of them at least partly fictional, who were at the Ambassador Hotel that June day, including guests, staff (kitchen workers, switchboard operators, management, etc.), campaign workers, reporters, and more. There are lots of movie stars in the cast, and some of them (Sharon Stone, Helen Hunt, William H. Macy) are very good. But caring about the quotidian minutiae of these people's existences is a chore, and Estevez crams so many issues into his story (the Vietnam war, drugs, alcoholism, voting irregularities, adultery, racism, immigration, communism… even L.A. Dodgers pitcher Don Drysdale's streak of consecutive shutouts) and tries so obviously to establish parallels between then and now that too much of the movie feels gratuitous and forced. A warts-and-all film about Robert Kennedy's extraordinary life and career would be welcome. Unfortunately, Bobby isn't it. --Sa! m Graham

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The Complete Conversations with God

• ISBN13: 9780399153297
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Conversations with God Book 1 began a series that has been changing millions of lives for more than ten years. Finally, the bestselling series is now a movie, starring Henry Czerny (The Pink Panther and Clear and Present Danger) and Ingrid Boulting (The Last Tycoon). Produced and directed by Stephen Simon (producer of Somewhere in Time and What Dreams May Come) and distributed by Samuel Goldwyn Films and Fox Home Entertainment, the theatrical release is set for October 27, 2006. The movie is the true account of Walsch (played by Cierny), who went from an unemployed homeless man to an "accidental spiritual messenger" and author of the bestselling bookBlasphemy! ! Heresy! Who does this man think he is, claiming to speak directly to God?! Jesus did it, Muhammad did it, the Jewish prophets did it, but none of their Gods had the sardonic wit or raw verve of Prophet Walsch's God. Neale Donald Walsch isn't claiming to be the Messiah of a new religion, just a frustrated man who sat down one day with pen in his hand and some tough questions in his heart. As he wrote his questions to God, he realized that God was answering them... directly... through Walsch's pen. The result, far from the apocalyptic predictions or cultic eccentricities you might expect, turns out to be matter-fact, in-your-face wisdom on how to get by in life while remaining true to yourself and your spirituality.For the first time, Books 1, 2, and 3 in the multi-million copy bestselling Conversations with God trilogy are brought together in one special gift edition.

To mark the tenth anniversary of the publication of Conversations with God, Boo! k 1, all three of the most essential books in Neale Donald! Walsch' s seminal trilogy are brought together in one beautiful volume just in time for the gift-giving season.

Conversations with God, Book 1 was the start of Neale Donald Walsch's ongoing dialogue with God. The trilogy contains the most essential truths and lessons for spiritual seekers, and these books are the bestselling of all the author's works. Featuring a new foreword by the author, printed throughout in two colors, and inserted in a fully enclosed full-color box, this remarkable book will be a Christmas gift to treasure.

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John Carpenter's Ghosts of Mars - style A Art Poster PRINT Unknown 11x17

• Title: John Carpenter's Ghosts of Mars - style A
• Artist: Unknown
• Print
• Image Size: 11.00in. x 10.68in.
• Paper Size: 11.00in. x 17.00in.

From John Carpenter, the master of horror behind 1998's hit John Carpenter's Vampires and classics like The Thing and Halloween, comes a sci-fi thriller full of explosive action and bone-chilling suspense. Natasha Henstridge (Species) is Melanie Ballard, a headstrong police lieutenant on Mars in the year 2025. Humans have been colonizing and mining on the red planet for some time, but when Ballard and her squad are sent to a remote region to apprehend the dangerous criminal James "Desolation" Williams, played by Ice Cube (Three Kings), they discover that he's the least of their worries. The mining operations have unleashed a deadly army of Martian spirits who take over the bodies of humans and! won't stop until they destroy all invaders of their planet. With a stellar cast including Pam Grier (Jackie Brown), Jason Statham (Snatch) and Clea Duvall (The Faculty), as well as explosive special effects, John Carpenter's Ghosts of Mars is an intergalactic terror fest like you've never seen.Ghosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appeal of star Natasha Henstridge. This rickety sci-fi/horror hybrid recalls Carpenter's Assault on Precinct 13, with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chry! se. Mars Police Force Lt. Ballard (Henstridge) has been sent ! to retri eve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-possessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's ! not much, but for loyal fans it's probably enough. --Jeff ShannonNASTHASHA HENSTRIDGE, PAM GRIER AND ICE CUBE MUST BATTLE IT OUT AGAINST PRIMITIVE MARTIAN GHOSTS WHO WILL STOP AT NOTHING TO ANNIHILATE THE HUMAN INVADERS WHO HAVE DISTURBED THEIR PLANET.Ghosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appeal of star Natasha Henstridge. This rickety sci-fi/horror hybrid recalls Carpenter's Assault on Precinct 13, with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chryse. Mars Police Force Lt. Ballard (Henstridge) has been sent t! o retrieve James "Desolation" Williams (Ice Cube), the planet! 's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-possessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. --Jeff S! hannonGhosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appeal of star Natasha Henstridge. This rickety sci-fi/horror hybrid recalls Carpenter's Assault on Precinct 13, with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chryse. Mars Police Force Lt. Ballard (Henstridge) has been sent to retrieve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits b! ent on reclaiming the planet, turning them into an army of se! lf-mutil ating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-possessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. --Jeff ShannonGhosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director! 's rock & roll rebellion as well as the sex appeal of star Natasha Henstridge. This rickety sci-fi/horror hybrid recalls Carpenter's Assault on Precinct 13, with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chryse. Mars Police Force Lt. Ballard (Henstridge) has been sent to retrieve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky allianc! e between cops and criminals is a predictable excuse for ramp! ant batt le scenes between surviving humans and the ghost-possessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. --Jeff ShannonGHOSTS OF MARS/VAMPIRES 2-PACK - DVD MovieGhosts of Mars
Ghosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appeal of star Natasha Henstridge. This rickety sci-fi/horror hybrid recalls Carpenter's Assault on Precinct 13, with various co! nnections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chryse. Mars Police Force Lt. Ballard (Henstridge) has been sent to retrieve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-possessed maniacs. Exotic weaponry abounds (along with cheap special effect! s and some laughable dialogue), resulting in the gruesome disp! atch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. --Jeff Shannon

Vampires
Talk about an opening. The first few minutes of John Carpenter's Vampires--in which James Woods's vampire killer leads a dawn raid on a New Mexico "goon nest" of bloodsuckers--not only suggests a horror movie that will not pull any punches, it even evokes some of the more disturbing dream-memories of American Westerns. Muscular and uncompromised, the sequence suggests a new Carpenter classic unraveling before one's eyes. Well, dream on. Things don't quite work out that way, but this is still a film to reckon with. There are a few serious (and surprising) misjudgments on the director's part, particularly a mishandling of Sheryl Lee's role as! a prostitute poisoned by the bite of a "master vampire" (who pretty much wiped out Woods's team of goon terminators). But aside from some weaknesses, the action is jolting, the suggested complicity of the Catholic Church in destroying monsters is provocative, and the traces of Howard Hawks's continuing influence on Carpenter's storytelling are in evidence. --Tom Keogh

Ghosts of Mars may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appeal of star Natasha Henstridge. This rickety sci-fi/horror hybrid recalls Carpenter's Assault on Precinct 13, with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reaso! ns unexplained) holding court in the capitol city of Chryse. ! Mars Pol ice Force Lt. Ballard (Henstridge) has been sent to retrieve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the Hellraiser films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-possessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief high! lights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. --Jeff ShannonTitle: John Carpenter's Ghosts of Mars - style A. Artist: Unknown. Image Size: 11.00in. x 10.68in. Paper Size: 11.00in. x 17.00in. Art Poster PRINT

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McLeod's Daughters - The Complete First Season

• The landmark first season of MCLEOD S DAUGHTERS marks the beginning of an unforgettable journey for Claire and Tess two sisters separated as children and reunited when they inherit Drover s Run a large Australian cattle property passed down for generations. With a lot of heart and humor, they pull together a group of women who have committed to an extraordinary life at Drover s Run. Format: DVD

"Once Upon A Time there lived a lovely girl named Samantha. She had everything she could possibly wish for, and lived in a beautiful white house. The White House Katie Holmes stars as First Daughter Samantha Mackenzie _ a sheltered young woman who just wants a normal school experience, away from the influence of her parents. Only trouble is, her dad (Michael Keaton) is the President of the United States! But nothing will stop Samantha, so, under Secret Service surveillance and a nonstop media glare, sh! e meets _ and falls hard for _ a handsome student who has a secret existence of his own."Playing the president's kin in the modern fairy tale First Daughter is the most grown-up role yet for Dawson's Creek cutie Katie Holmes. Samantha McKenzie (Holmes) has lived all her life on the edge of the political spotlight, but she hopes that she'll get away from it all when she leaves the White House for college. No such luck. Even though she's able to make friends with her roommate (singer Amerie) and meet a nice guy (Marc Blucas), security is tight in an election year, and the Secret Service follows her wherever she goes. First Daughter isn't particularly original (it was the working title for Mandy Moore's Chasing Liberty, which opened in theaters earlier the same year, 2004), but it's a chuckle-inducing girlie movie that's worth watching for Holmes. Also, Michael Keaton is especially likable as a president and dad. That's a big change for Holmes! , who as Dawson's Creek's Joey Potter was a poster chil! d for da ughters with dysfunctional fathers. --David Horiuchi

Sometimes the weakness we fear most can become our greatest strength . . .

 

Jack McClure has had a troubled life.  His dyslexia always made him feel like an outsider.  He escaped from an abusive home as a teenager and lived by his wits on the streets of Washington D.C.  It wasn’t until he realized that dyslexia gave him the ability to see the world in unique ways that he found success, using this newfound strength to become a top ATF agent.

 

When a terrible accident takes the life of his only daughter, Emma, and his marriage falls apart, Jack blames himself, numbing the pain by submerging himself in work.  Then he receives a call from his old friend Edward Carson.  Carson is just weeks from taking the reins as President of the United States when his daughter, Alli, is kidnapped.  Because Emma McClure was once Alli’s best friend, Carson turns to Jack, th! e one man he can trust to go to any lengths to find his daughter and bring her home safely.

 

The search for Alli leads Jack on a road toward reconciliation . . . and into the path of a dangerous and calculating man.  Someone whose actions are as cold as they are brilliant.  Whose power and reach are seemingly infinite.

 

Faith, redemption, and political intrigue play off one another as McClure uses his unique abilities to journey into the twisted mind of a stone cold genius who is constantly one step ahead of him.  Jack will soon discover that this man has affected his life and his country in more ways than he could ever imagine.

 

"Once Upon A Time there lived a lovely girl named Samantha. She had everything she could possibly wish for, and lived in a beautiful white house. The White House Katie Holmes stars as First Daughter Samantha Mackenzie _ a sheltered young woman who just wants a normal school exper! ience, away from the influence of her parents. Only trouble is! , her da d (Michael Keaton) is the President of the United States! But nothing will stop Samantha, so, under Secret Service surveillance and a nonstop media glare, she meets _ and falls hard for _ a handsome student who has a secret existence of his own."Katie Holmes has the kind of luminous face that glimmers with her every feeling. In First Daughter, Holmes (Dawson's Creek, Pieces of April) plays Samantha Mackenzie, daughter of the President of the United States (Michael Keaton), a young woman who's been a prop in her father's political campaigns for her entire life. Finally, she's leaving the nest to go to college, and would like nothing more than to escape into a normal life without men in dark suits and earpieces watching her every move. The plot of First Daughter is pure formula; even its biggest surprise offers no genuine jolt. But cleanly executed formula offers its own simple pleasures, and Holmes' engaging presence may tease more empathy from you! than the movie deserves. --Bret FetzerThey’re Ordinary Women Facing the Extraordinary Adventure of Life on the Land

The landmark first season of McLeod’s Daughters marks the beginning of an unforgettable journey for Claire and Tess â€" two sisters separated as children and reunited when they inherit Drover’s Run â€" a large Australian cattle property passed down for generations.

With exclusive behind-the-scenes footage plus the full length TV movie that started it all, this 6 DVD collection is a must-own collectible for any fan of this great Australian television series.

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