Analyze That (Widescreen)

• They locked up mob boss Paul Vitti in Sing Sing and that's where he sang sang - bellowing West Side Story tunes and convincing officials he's more suited for a nut house than the Big House. Better yet, the Feds say, let's release Vitti into the custody of his therapist Ben Sobel.ROBERT DE NIRO (Vitti) and BILLY CRYSTAL (Sobel) reprise their Analyze This roles and reteam with filmmaker HAROLD RAMIS

They locked up mob boss Paul Vitti in Sing Sing and that's where he sang sang - bellowing West Side Story tunes and convincing officials he's more suited for a nut house than the Big House. Better yet, the Feds say, let's release Vitti into the custody of his therapist Ben Sobel. ROBERT DE NIRO (Vitti) and BILLY CRYSTAL (Sobel) reprise their Analyze This roles and reteam with filmmaker HAROLD RAMIS (Caddyshack) and co-star LISA KUDROW.

DVD Features:
Audio Commentary
Document! ary
Other
Theatrical Trailer

Analyze That has more bada bing than its lukewarm reception would lead you to expect. Analyze This (1999) had the advantage of a then-fresh idea--Robert De Niro as a neurotic mob boss seeking therapy with reluctant shrink Billy Crystal--but that idea's stale (and has been handled more authentically in The Sopranos), so this sequel relies on established chemistry and zesty dialogue that matches the original. There's nothing wrong with a retread when it's this funny, and De Niro's latter-day penchant for comedy suits him well when, as kingpin Paul Vitti, he lures Dr. Sobel (Crystal) into a prison breakout scheme involving faked catatonia and West Side Story show tunes. The contrived plot involves Vitti's criminal comeback. Unfortunately, there's little room for Lisa Kudrow as Sobel's sarcastic wife, but De Niro's Raging Bull costar Cathy Moriarty-Gentile is welcomed as a riv! al mob queen. You want a comedy masterpiece? Fuhgeddaboudit. ! You want 95 minutes of easy fun? It's right here... and don't miss those obligatory outtakes. --Jeff Shannon

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The Closer: Complete First Season

• An offbeat personality, a tough-as-nails approach and a track record as one of the country's leading investigators--these are just a few of the traits exhibited by television's next great detective, Deputy Chief Brenda Leigh Johnson, played by three-time Golden Globe Award nominee Kyra Sedgwick in "The Closer." In her first lead role in a dramatic series, Sedgwick plays a tough CIA-trained detecti

Moving up? The LAPD is looking for a new chief and Will Pope thinks he has the inside track. He soon has an unexpected rival for the job: Brenda (Best Actress Emmy® and Golden Globe® winner Kyra Sedgwick). And Brenda has an unexpected ally helping groom her for the selection process: Capt. Raydor. The contest for chief is only one of the ingenious, suspenseful, often funny storylines that makes Season Six of The Closer stellar entertainment. Join the squad as Sanchez looks after an orphaned! boy, Tao goes undercover as a biker dude, Provenza and Flynn date airline attendants (turns out one of them has a corpse in her bathtub) and Brenda finds her family Christmas rudely interrupted by crime. Kyra Sedgwick's Brenda Johnson is one of TV's most compelling, complicated, and likable heroines. Johnson makes The Closer much more than just the well-written, crisply paced police procedural that it is. The viewer feels invested in Johnson's neurotic private life, marriage, and family, as well as in her political ambitions at the Los Angeles Police Department and in her relationships with her coworkers. In fact, The Closer hits its stride in season six as not just a fantastic showcase for Sedgwick's Emmy-winning acting talents, but also for the ensemble that helps her shine. J.K. Simmons, Corey Reynolds, Robert Gossett, G.W. Bailey, and Michael Paul Chan are among the all-too-human but motivated law-enforcement officials surrounding Johnson. Jon Tenney cont! inues to be the super-supportive best husband ever, FBI agent ! Fritz, a nd season six shows Fritz and Brenda settling into their new marriage, with just a few speed bumps. The other big theme of this season is the LAPD's search for a new police chief. Brenda's boss, Will Pope (Simmons), thinks he has the job in the bag, but suddenly there's a dark horse in the race--Deputy Chief Johnson herself. Mary McDonnell reprises her role as the officious Captain Raydor. Season six features plenty of gripping crime solving and just the right amount of humanity to keep lovers of The Closer entranced. Extras include lots of outtakes and deleted scenes, and an in-depth interview with Sedgwick on how she, and Brenda, have grown over the course of the show. --A.T. HurleyThe Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineer! s and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format.Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross it's a dizzying supernova of emotions, as Nichols and Marber adroitly con! struct various scenes out of their lives that pair them again ! and agai n in various permutations of passion, heartbreak, anger, sadness, vengeance, pleading, deception, and most importantly, brutal honesty. It's only until you're more than halfway through the movie that you'll have to ask yourself exactly why you are watching such a beautifully tragic tale, as Closer is basically the ickiest, grossest, most dysfunctional parts of all your past relationships strung together into one movie. Ultimately, it falls to the four actors to draw you deeper into the story; all succeed relatively, but it's Law and Owen whose characters will cut you to the quick. Law proves that yet again he's most adept at playing charming, amoral bastards with manipulative streaks, and Owen is nothing short of brilliant as the character most turned on by the energy inherent in destructive relationships--whether he's on the giving or receiving end. --Mark EnglehartA witty, romantic, and very dangerous love story about chance meetings, instant attractions, and casual! betrayals. CLOSER is director Mike Nichols' critically acclaimed look at four strangersâ€"Julia Roberts, Jude Law, Natalie Portman and Clive Owenâ€"with one thing in common: each other.Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols' pungent adaptation of Patrick Marber's play that easily marks the Oscar-winning director's best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross it's a dizzying supernova of emotions, as Nichols and Marber adroitly construct various scenes out of their lives that pair them again and again in various permutations of passion, heartbreak, anger, sadness, vengean! ce, pleading, deception, and most importantly, brutal honesty.! It's on ly until you're more than halfway through the movie that you'll have to ask yourself exactly why you are watching such a beautifully tragic tale, as Closer is basically the ickiest, grossest, most dysfunctional parts of all your past relationships strung together into one movie. Ultimately, it falls to the four actors to draw you deeper into the story; all succeed relatively, but it's Law and Owen whose characters will cut you to the quick. Law proves that yet again he's most adept at playing charming, amoral bastards with manipulative streaks, and Owen is nothing short of brilliant as the character most turned on by the energy inherent in destructive relationships--whether he's on the giving or receiving end. --Mark EnglehartSynopsis: An offbeat personality, a tough-as-nails approach and a track record as one of the country's leading investigators--these are just a few of the traits exhibited by television's next great detective, Deputy Chief Brenda Leigh Johnson, pl! ayed by three-time Golden Globe Award nominee Kyra Sedgwick in "The Closer." In her first lead role in a dramatic series, Sedgwick plays a tough CIA-trained detective, with Southern charm, who has been brought from Atlanta to Los Angeles to head up the Priority Murder Squad, a special unit of the LAPD that handles sensitive, high-profile murder cases. "The Closer" is executive produced by the team behind "Nip/Tuck."

DVD Features:
Deleted Scenes
Deleted Scenes
Deleted Scenes
Deleted Scenes

Deputy Police Chief Brenda Johnson (Kyra Sedgwick, Personal Velocity) isn't about making friends, she's about getting results. Days after her transfer from Atlanta, the LAPD's Priority Homicide Division decides they can't work with the blunt-talking Southern belle. Fortunately, she has former CIA colleague, Assistant Police Chief Will Pope (J.K. Simmons, Spider-Man), on her side. As he explains to Captain Taylor (Robert! Gossett), who she has just replaced, "She is not miss congeni! ality... but she's a closer." Set to the sound of urban blues, TNT's The Closer is Columbo by way of Prime Suspect. In other words, Johnson may be as messy as Oscar Madison, but she's as sharp as Sherlock Holmes. Throughout the first season, she'll solve 13 murders, including those of a reclusive mathematician, a Russian prostitute, and a British butler. She won't get much support from her colleagues, except for Sergeant David Gabriel (Corey Reynolds, Broadway’s Hairspray)--to the consternation of his co-workers, like Detective Lieutenants Provenza (G.W. Bailey, M*A*S*H) and Flynn (Tony Denison, Melrose Place). Johnson also has a friend in FBI Special Agent Fritz Howard (Jon Tenney, You Can Count on Me). With his help, she'll eventually settle into her new environment, especially when she lands a house and a cat on the same day (conveniently left behind by a victim). Just as it takes awhile for the chief to grow on her squad--and to ! get used to driving in LA--Sedgwick's Golden Globe-nominated performance follows a similar trajectory. Fortunately, "Scarlett O'Hara," as the droll Provenza dubs her, becomes more fully-rounded as the season progresses, aided by a superb SAG Award-nominated ensemble cast. Consulting producer on The Closer is former LA District Attorney Gil Garcetti of O.J. infamy. --Kathleen C. Fennessy

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Good Luck Chuck (Unrated Widescreen Edition)

• Actors: Dane Cook, Jessica Alba, Dan Fogler, Connor Price, Troy Gentile.
• Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
• Language: English. Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Not Rated. Run Time: 96 minutes.

Studio: Lions Gate Home Ent. Release Date: 09/09/2008 Run time: 101 minutes Rating: UrIn a perfect world, Good Luck Chuck would've captured the humor of Superbad and the raunch of the American Pie films. But what we're left with, instead, is a raunchy film with an anemic storyline. Cursed as a child with a hex that prevents him from finding true love, Charlie "Chuck" Logan (Dane Cook) finds that the women he dates find the men of their dreams immediately after they've dumped him. For a guy who enjoys dating beautiful women, it doesn't seem like such a horrible thing. ! But then he meets and falls for beautiful and klutzy Cam Wexler (Jessica Alba). Charlie wants to have a meaningful relationship with her, but how can he make her fall in love with him without losing her to some unknown man waiting to sweep her off her feet? Good Luck Chuck isn't an original movie; Cook and Alba make for an attractive couple that exudes warm chemistry. And Alba proves that while she may be famous for her body, she's quite adept at physical comedy. Dan Fogler doesn't fare as well. He has the thankless role of playing Charlie's obnoxious best friend Stu, a borderline perv plastic surgeon who proudly displays a set of Pamela Anderson's breast implants in his office (which, coincidentally enough, is located right next door to Charlie's). The dialogue is crass and the direction is all over the place. Everything is played for laughs, but little actually is very funny in this comedy. This movie actually could've used a bit more good luck. And lots more wit.! --Jae-Ha Kim

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Chasing Amy (Import) [Blu-ray]

• Format: Widescreen, Import
• Language: English
• Aspect Ratio: 1.78:1
• Run Time: 113 minutes
• Actors: Ben Affleck, Joey Lauren Adams, Jason Lee, Dwight Ewell, Jason Mewes

Chasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, Chasing Amy offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality. Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-! book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh Chasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialo! gue and insight into relationships, Chasing Amy offers a thoug! htful, f unny look at how perceptions alter lives, and how obsession and self-doubt skew reality.Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh CHASING AMY, the third installment in the New Jersey Trilogy from award-winning writer/director Kevin Smith becomes more intimate and alive than ever on Blu-ray. Cult comic-book artist Holden (Ben Affleck) ! falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee) and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, CHASING AMY offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality -- now with the pristine picture and theater-quality sound of Blu-ray High Definition.

Bonus Features Include: Audio Commentary With Writer/Director/Actor Kevin Smith And Producer Scott Mosier, Tracing Amy: The CHASING AMY Doc, Was It Something I Said? -- A Conversation With Kevin & Joey, 10 Years Later Q & A -- With Kevin Smith And The Cast, Deleted Scenes, Outtakes, TrailerWriter-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his! wish that she love him, too. Their relationship is attacked, ! however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom KeoghStudio: Lions Gate Home Ent. Release Date: 05/17/2011 Run time: 113 minutes Rating: RWriter-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within ! the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh BOTH DUMPED BY THEIR GIRLFRIENDS, TWO BEST FRIENDS SEEK REFUGEIN THE LOCAL MALL.Sophomore! jinx hit hard in this second film by Kevin Smith, whose debut! Cler ks transcended the limits of its setting and budget to become something memorably funny. (Smith followed Mallrats with the wonderful Chasing Amy, so Mallrats definitely had the old curse.) A ramshackle comedy set in a mall, the film follows several story lines involving lovers, enemies, friends, goofballs, and Smith's own "silent" character, who also appeared in Clerks and Chasing Amy. A heavy self-consciousness weighs on everything, as if Smith forgot how to make obscenity funny instead of tedious. Still, it's nice to see some of the director's film family on screen, among them Jason Lee and Joey Lauren Adams. --Tom Keogh Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason ! Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie.Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone ! make this a very satisfying movie. --Tom Keogh

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Hartstrings Girls 2-6X Printed Skort, Pink Paisley, 5

• Knit skort
• Patch pockets
• Back elastic waistband

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Eyes Wide Shut [Blu-ray]

• Stanley Kubrick?s daring last film is a bracing psychosexual journey, a riveting suspense tale and a career milestone for stars Tom Cruise and Nicole Kidman. Cruise plays a doctor who plunges into an erotic foray that threatens his marriage ? and may ensnare him in a murder mystery ? after his wife?s (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery a

Stanley Kubrick’s daring last film is a bracing psychosexual journey, a riveting suspense tale and a career milestone for stars Tom Cruise and Nicole Kidman. Cruise plays a doctor who plunges into an erotic foray that threatens his marriage â€" and may ensnare him in a murder mystery â€" after his wife’s (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery and reconciliation, Kubrick orchestrates it with masterful flourishes. Graceful tracking shots, r! ich colors, startling images: bravura traits that make Kubrick a filmmaker for the ages are here to keep everyone’s eyes wide open.

It was inevitable that Stanley Kubrick's Eyes Wide Shut would be the most misunderstood film of 1999. Kubrick died four months prior to its release, and there was no end to speculation how much he would have tinkered with the picture, changed it, "fixed" it. We'll never know. But even without the haunting enigma of the director's death--and its eerie echo/anticipation in the scene when Dr. Bill Harford (Tom Cruise) visits the deathbed of one of his patients--Eyes Wide Shut would have perplexed and polarized viewers and reviewers. After all, virtually every movie of Kubrick's post-U.S. career had; only 1964's Dr. Strangelove opened to something approaching consensus. Quite apart from the author's tinkering, Kubrick's movies themselves always seemed to change--partly because they changed us, changed the world and the ways! we experienced and understood it. And we may expect Eyes W! ide Shut to do the same. Unlike Kubrick himself, it has time.

So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why! ?

Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson

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